Natural oak. North American oak, sourced from the northern states where the temperate climate ensures a slow growth rate. The resulting timber is ideal for picture framing, with a consistent colour and grain. The source forests are managed sustainably, in line with international standards. The timber is milled in the UK. Each frame is crafted in our own workshop. A finishing wax is applied by hand, creating a satin finish that emphasises the character of the timber.

Black stained ash. North American ash, sourced from the northern states where the temperate climate ensures a slow growth rate. The resulting timber is ideal for picture framing, with a consistent colour and grain. The source forests are managed sustainably, in line with international standards. The timber is milled in the UK and finished by hand in our own workshop. A black stain is applied, followed by a hand polished coloured wax, creating a deep lustre.

White satin. Responsibly sourced solid wood frame with a smooth white satin finish.

Paper. Printed on matt 250gsm conservation digital paper - a very versatile high quality material made in Germany from acid and chlorine free wood pulp. This is manufactured on a Fourdrinier Machine, a process first perfected by and patented by the Fourdrinier brothers in 1803.

Window mount. Artwork is complemented by an extra-thick window mount, creating a visual separation between print and frame. The mount is 2600 microns thick and acid-free, which ensures it will not discolour over time.

Glazing. The picture is glazed in 2mm continuous cast acrylic with an optical clarity of 92% to ensure your artwork is displayed at its best. Potential damage from sunlight is greatly reduced by 90% UV protection. Acrylic is safer than glass in your home or workplace and being 100% recyclable, it's great for the environment too.